Sunday 22 March 2020

Ada "Ram"

Whilst I live in a relatively Sindhi neighborhood of Rajinder Nagar in Delhi , however lingua franca of daily conversation is usually Hindi. One of the few exceptions to this is when I meet Ada Ram. "Ada" in colloquial Sindhi is used to address an elder brother. Saeen Ram runs a small Indian Snack shop  ( Bread Pakoras/ Tikkis)  from a temporary kitchen about 50 metres from my home. He sets his stall at around 4 o clock in the evening and is available till the stock lasts. His is a one man show - he prepares around 20/25 Bread Pakoras and a similar number of Tikkis each day and is popular with the local residents for serving homely made, fresh, crispy Bread Pakodas and " Channe Ki Dal" filled Tikkis with fresh Mint and Saunth Chutney. With ancestral origins in Sukkur Sindh, Ada's family shifted first to Lucknow where he was born and then shifted to Delhi some 35 years ago, having originally come to stay with an elderly relative in Azad Market and subsequently shifted to Rajinder Nagar. The elderly relative died a decade or so ago but Ada still stays here and continues to run the kitchen. Mummy tells me that " Channe ki Dal" filled Tikkis are quintessential Sindhi. Ada's Bread Pakoda and Tikkis are highly in demand at my home whenever we have a family gathering with elderly relatives usually commenting " Ghar jaedi tikkiyun thaaendo aa" ( He prepares  Tikkis similar to what we have at home) . We all appreciate his culinary skills. In keeping with changing times and the young student population in Rajinder Nagar, he now also sells Burger (using his Tikki as the filling; you can see peeled onion and tomato in the tray below ) . It reminds me of how mummy used to pack both Tina and me burgers when we used to go on school picnic during our primary school days (!).  Ada Ram like hundreds of others Sindhi reflect the community's ethos of  hard work and dedication without relying on external support to make ends meet. 

Ada " Ram" at his makeshift Kitchen (March,2020)


On another note, Papad (Papadum/Popadum as they say in the west) is an integral part of meal in a Sindhi household. Whether it is the Roasted papad along with Sai Bhaji and Bhuggal Chawal , or it is the fried ones with Alloo ki Poori, this delectable snack is a staple in every Sindhi household. The other day with our stock of Papad coming to an end, Mummy asked me to buy a kilo from the lady who comes at our local community centre, Sindhu Samaj, on most Saturdays and Sundays. Not only does she sells Papad but also Chakkriyun , Kheechas, Khatan ( Pickle) and Peppermint among other things. I wasn't aware that a number of elderly people prefer eating Peppermint candies for its digestive benefits . It is on that day that I realised that buying Papads is not as easy as it seems. I had to call mummy a couple of times as there are a number of variants each with their pecularities - some are spicier than others, some with differing sizes and bigger than others, and so one. The lady told me that Gwalior (in Madhya Pradesh) and Ulhasnagar (in Maharshtra) are the two major cities where a number of Sindhi families are engaged in this business. Sindhi papads are different from the Rajasthani/Marwari ones as those are smaller and much less crispier than ours. Some of the more known brands include MAHALAXMI and SAI BABA which I assume is a brand named after Shirdi Sai Baba who have a strong following within the community. 

I end with this link to Dada Ghanshyam Vaswani's melodious rendition of Bhagat Sahib's " Naale Alakh Jee Bedo Taar Tuhinjo" (In the name of Eternal One, [please] allow my boat to navigate [Allah]*. The background of Indian Institute of Sindhology adds to the overall feel of the song. 


During this difficut phase of spread of Corona Virus (nCOVID-19), I pray to Lal Saeen for good health and prosperity of all of us. May he continue to bless us all. 

Jai Jhulelal. 

*: English Translation copied from Jyoti Garin's informative article " Sindhi Bhagat songs associated with Kanvar Ram". 

Friday 6 March 2020

Sindhi Wedding Songs "Laadas"

February was a hectic month due to a wedding in the family. My bua's son ( Puphaat as they say in "Nij" (typical) Sindhi), Gaurav,  recently got married and the entire Teckchandani family got together to join the celebrations. It was nice to meet everyone in the extended family after a long time. One of the more interesting aspects of a Sindhi Wedding are the traditional wedding songs sung as a part of the celebrations. These are known as "Laadas" although their popularity unfortunately is declining by the day. 

Mummy fondly remembers how Nani was adept at singing these songs using the traditional thaal ( Round Plate usually made up of Steel) and Chammach (Spoon) and how in the olden days the entire clan used to get together a few days before the wedding and each night there used to be a singing and dancing session post dinner. Nani's favorite laada was " Dikh Ji Raat Lade Mundiyun Gharayun, Soran Achran Jhariyun, Soran Heeran Mariyun"a song which talks about getting wedding rings laden with gold and diamonds made for the bride .With the current pace of life especially in a Metropolitan city like Delhi, it is an utopian dream to think about week long gatherings. A couple of years ago when my cousin Sohraab was getting married, Milloo Chacha had arranged for a Sindhi musical evening where singer Usha Shahani jee  had sung a number of foot tapping songs and laadas. I distinctly remember her singing " Raano Cho na murke , hale baah lode, sohni milas kuwaar, Raano cho na murke" which when translated in English will mean something like " Why shouldn't the Bridegroom walk with a sense of pride, having found a good looking bride, why shouldn't the bridegroom walk with a sense of pride! . 


Then there is another light hearted song " Ahro jo murs maryo ghuman na tho de, ghuman na tho de ta maryo theng tippa de, ehro jo murs maryo ghuman na tho de" which is about a wife complaining to her friends about her husband's lack of interest in traveling saying that not only does he not allow her to travel but also whines when she is out of the home.


Traditional songs such as these remind us of an era gone by .For me personally it is through instances such as these that I remember my Nani ,someone whom I never had the privilege to meet as she expired much before I was born. I pray to Lal Saeen to rest her soul in peace and also congratulate my brother Gaurav on a Happy and fulfilling married life.


I am ending this post with links to two different Laadas from two different eras. The first one " Hal Maarya Ghot Pe" is from 1969 Sindhi movie "Ladli".  Given my fairly limited Sindhi vocabulary, I am unable to translate this but the in a nutshell, the song details how the bridegroom's parents will celebrate the big wedding day. I cannot stop smiling looking at the dance steps which reminds me of some of our elderly relatives.



The next one is another Mohit Lalwani video which is a contemporary take on a classic yet a very popular laada " Hik Sone Jo Rupiyo, Allah Ri Allah"Congratulations to Saeen Mohit for always trying something new.


I hope you too both the videos as much as I did.

Jai Jhulelal

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